In 1954, Walt Disney's groundbreaking documentary, 'The Alaskan Eskimo,' earned an Academy Award for Documentary Short Subject. This cinematic endeavor, the inaugural installment in Disney's 'People & Places' collection, meticulously wove together scenes from the everyday existence of Alaska's native inhabitants. While certain phrases and perspectives presented in the film reflect the sensibilities of its era, the visual chronicle itself stands as an extraordinary historical artifact, offering a vivid depiction of communal life in an Alaskan settlement from more than 70 years ago.
The film's production crew arrived during the warmest period of the year, documenting the community's diligent preparations for the approaching hunting season and the harsh, colder months. Viewers witness men engaged in constructing shelters, while women expertly craft waterproof coverings for their newly built kayaks. Upon the return of the whalers, the entire community unites to participate in the arduous task of hauling and processing a beluga whale carcass. Children are seen relishing 'muktuk,' traditional slices of whale skin and blubber, a staple food across the Arctic Circle renowned for its vital vitamin C content. The mid-1950s narrator, with characteristic dry wit, notes its purported resemblance in taste to beech nuts.
As winter's embrace tightens, the film crew remains, their cameras now venturing indoors. The structures observed being built in the summer, partially submerged in the earth, are now complete and bustling with activity. The villagers, far from idle during the extended, frigid hours, dedicate themselves to creating essential items. Men can be seen meticulously carving tools and harpoons, while women skillfully fashion durable raincoats from dried whale intestines and woven grass strands. The community also prepares seal skins for 'mukluk' footwear, with children gleefully gnawing on discarded scraps, their wide grins reflecting genuine joy for the camera.
A temporary respite in the weather ignites a flurry of activity within the village. Dog teams are dispatched to replenish dwindling supplies and gather timber before winter's full ferocity returns. The film showcases men harnessing dogs, loading driftwood onto sleds, and engaging in a reindeer hunt. The narrator emphasizes the constant danger faced by hunters and fishermen, highlighting the life-threatening peril of a blizzard striking far from home. In a dramatic turn, the hunter followed by the camera crew narrowly escapes the harsh weather, returning to the safety of the village just in time.
As winter gradually recedes, the villagers meticulously prepare for the much-anticipated spring festivities. Dressed in their finest attire, they gather in the community meeting house. There, the filmmakers capture a vibrant festival commemorating winter's departure. Men perform elaborate dances adorned with masks representing the deities of the sky, sea, and land, offering gratitude and reverence. Their movements are accompanied by the rhythmic beat of drums and soulful singing. The ceremonial atmosphere then transitions into a more lighthearted, farcical display as dancers don exaggerated caricature masks, playfully depicting fellow villagers. The audience erupts in laughter, swaying to the energetic drum tempo, as another winter yields to the promise of spring.